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HOW TO BE A Songwriter

LulaSellar28904 2018.08.10 23:58 조회 수 : 4

HOW TO BE A Songwriter

The main element job of a songwriter is to create a song. Never to perform the melody. Not to record the track. Never to promote the track. Never to sell the tune. But to write the tune.
Your primary skill as a songwriter is to choose the right notes and right chords to go with the right words and right song title and write them into a song.
A tune is written by you for whom?
Firstly, for the end listener. The person who will actually emotionally and economically buy the melody, either through buying a record or CD or buying a live show of the music.
Secondly, for the record company, who'll switch a song into something (like a record or CD) that may be delivered to the finish user through radio or shops.
Thirdly, for radio programmers, who decide what their listeners shall listen to.
Fourthly, for the performer of the song who must provide a performance that the record company would want to capture and the air station will want to play.
You now could argue for more people to be put into this list or for this list to be reordered. But essentially they are individuals for whom a documenting songwriter writes.
So, you know who to create for now, how to be a songwriter for these listeners is the key question.
What key skills do you need to become a songwriter?
As a songwriter you must know how to write lyrics, how to create melody, how to create chords and exactly how to create your melody as a lead sheet. As a music owner and vendor you must also know how to select the music to demo and how to record a convincing demo.
Put another real way, as a songwriter, you are a lyric writer, a melody writer, a chord writer and a lead sheet writer. That is, to be considered a songwriter, you must write in these four measurements.
You could be a solo songwriter like Billy Joel and Bob Dylan do all four things yourself. Or you will be part of a partnership like Lennon-McCartney or Holland-Dozier-Holland and specialise in the lyric or music role or move between the roles, depending on the song.
Writing lyrics
So, how to become a lyric article writer is one of the sub questions of the big question: how to become a songwriter.
The main element skill is the ability to have the ability to tell a story rather than just throw words or rhymes together. One of your key lyric skills is usually to be able to create tune titles and then write your lyric around that.
There are various conventions about loading your chorus up with your title lines and making use of your verse and bridge to aid that line. Furthermore you will need to figure out how to write your story within standard forms.
Fortunately, there are loads of resources both on and offline that can educate you on how to write lyrics. Naturally, to become a lyric writer you will need to write and exercise your skills daily habitually.
The challenge of melody
Unfortunately there isn't as much resource around that can support you in becoming a melody writer. Whereas there's a sound lyric writing literature available to songwriters, no similar literature is present for melody writing skills.
A lot of what passes for melody writing advice lives is usually the twins of superstition and obscure theory in drag, neither of which actually tells the melody writer how to choose the best notes because of their melody. Nor train them how to be a songwriter.
The two main melodic skills you need will be the concepts of span and contour. Contour means melodic form and direction and whether any given note is at a higher, lower or same pitch as the previous one.
Jack Perricone identifies four contour forms in his book entitled Melody in Songwriting: Tools and Techniques for Writing Hit Tracks (Berklee Guide).
There are actually hundreds of contours, depending about how many notes there are in your melodic phrase. These contours can show you how to be a songwriter effectively. At the moment there is only one melodywriting site online that educates songwriters about these melodic goldmines.
Period is also important to your melodies and means that you write for common people who'll sing and hum your melodies as they clean their car or vacuum their residence or console themselves. Focus on span means you will write for your fans, not for virtuoso singers who never buy or sing pop music generally, let alone yours.
Anyone seriously wanting to know how to be a songwriter shall not neglect melodic span.
Harmony and chords
Luckily one area where songwriters are relatively well served is within the chord writing area. There is no shortage of stuff that teaches you scales, chord and chords progressions. In comparison to learning lyric melody and writing writing, learning scales and chords is right forward, like learning a yellowish pages directory.
The more songs you write, the greater you understand how secondary chords and voicings are when you are working with the absolute core of songwriting: deciding which notes go best with which words.
Scales and chords are not useful at the moment. They are very important however once you've selected the notes and words for your tune and it's time for an arranger and a producer to set up your records and words into voices and noises that your supporters will love.
Nevertheless, deciding on the best chord for your melody can be an important part of how to be a songwriter.
So in learning to be a songwriter you have become a lyric writer, a melody article writer and a chord writer. But as important as these skills are, the most crucial skill is not mentioned yet.
Rhythm to melody is like oxygen to life
A key part of how to become a songwriter is how to be a talker, reader, writer and player of tempo.
While we can think of rhythm as being a separate concept (and there are good reasons for this view) it is so embedded in lyric, harmony and melody, that you need to understand how tempo integrates each aspect as well as how it separates from each too.
Words consist of meaning and rhythm. Melody includes rhythm and pitch. Harmony includes simultaneous sound and rhythm. Rhythm contains rhythm and timbre. There is no escaping the importance of understanding and rhythm, talking, reading, writing and playing rhythm is a key part of how to be a songwriter.
Again, like melody, the news headlines is not hot here.
Ethnomusicologists statement on many cultures across the world who have affluent, verbal languages for talking and counting rhythm. Musicians of South India are rich in this regard. Music artists of the western are not so blessed. Which slows our tempo education down a little. And hamstrings us as songwriters if we do not overcome this handicap.
Fortunately with the emergence of rhythmeggio--which is like the solfeggio for rhythm---songwriters now have a straightforward to learn language that allows them singing success to talk, read and write rhythm like their first language.
And speed up their knowledge of how to be a songwriter and their ability to create an acceptable variety of music to acceptable levels considerably quicker than they in any other case would.
How to become a songwriter in conclusion
Therefore the keys areas of successfully knowing how to become a songwriters lie in becoming effective in writing lyric, at writing melody, at writing chords which is accelerated from your ability to talk, read and write rhythm.
These are the skills that enable you to choose the right records and right chords to go with your words and music title therefore earn you the right to call yourself a songwriter.
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